Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
Eric Walker 沃维克·戴维斯 菲奥纽拉·弗拉纳根 盖伊·博伊德 奥布丽·米勒 伯尔·艾弗斯 Daniel Frishman 黛比·李·卡林顿 托尼·考克斯 凯文·汤普森 Margarita Farrell Pam Grizz Bobby Bell Darryl Henriques Sydney Walker Jon Berg 蒂芙妮·布里塞特
基努·里维斯 劳伦斯·菲什伯恩 凯瑞-安·莫斯 雨果·维文 贾达·萍克·史密斯 凯特·宾汉 玛丽·爱丽丝 莫妮卡·贝鲁奇 埃茜·戴维斯 克里斯托弗·卡比 罗伯特·马莫内 罗宾·奈文 吉娜薇·欧瑞丽 诺娜·加耶 纳撒尼尔·利斯 哈里·列尼斯 哈罗德·佩里诺 鲁伯特·雷德 凯文·迈克尔·理查德森 大卫·罗伯茨 布鲁斯·斯宾斯 吉娜·托瑞斯 克莱顿·华生 赫尔穆特·巴凯蒂斯 邹兆龙 乔·曼宁 Tanveer K. Atwal 拉黑·休姆 康奈尔·韦斯特 伯纳德·怀特 朗贝尔·维尔森 安东尼·布兰登·黄 安东尼·
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